Pre-Historic Art in Sri Lanka

Pre-Historic Art in Sri Lanka


We do not know when or how the art of Sri Lanka originated. But such people used it as a means of communication when living in caves. There is a tradition of painting or crusting of natural stones and rock formations located in different parts of Sri Lanka. These are known as rock art. These paintings belong to both prehistoric and recovery art. Fifty-four such paintings have been discovered in Sri Lanka. Most of them are found in Ampara and Moneragala. Apart from this, paintings of this category are found in Anuradhapura, Polonnaruwa, Ratnapura, Hambantota and Kegalle districts. The paintings have been used to create natural stone caves with no wall plastering. The rough outline of a piece of coat made from the tip of a finger is drawn outward. Some paintings have used white and yellow colors to fill in the color scheme. A special feature is that the line has paintings centered. 

 

These paintings are Tantirimale, Billewa, Andiyagala, Dimbulagala, Kaduru Pokuna, Arankoda Galge, Rajagala Kanda, Gonagolla, Dorawaka, Pihillegoda, Alugalge, Budu Galge, Kudumbigala Lihiniyagala, Magul Maha Viharaya, Hakbelikanda, Vettambugaluwan Piyama.

There are two main types of rock art: animal and human figures. Excavations at the Dorawaka Cave date back to 6000-4000 BCE The Hakbelikanda Cave in Alawwa seems to be much older.


Techniques used to draw paintings

Line drawings/color paintings

This type includes paintings painted with the help of a finger or a piece of crushed sticks.We can find those paintings Thanthirimale and Billawe.

Paintings / sculptures that exploited the stone wall 

One of the most common methods used in cave painting is the art of removing scratches on the rock wall with the help of strong stone blocks or horns. Art can be seen at Dorawaka Kanda and Urakanda.

Signature signs sealed

The artwork is made by placing the handkerchiefs on the walls using dye or blood. These can be found in a cave on the premises of Hambantota Magul Vihara.


  Thanthirimale

First cave

Seven animal figures and seven human figures and many geometric shapes on the inner walls. The human face behind the animal is unique, with both hands on it and the face to the left.

The gray line draws a picture of a deer painted in the center red color. 

A human figure with a running posture drew from the white line, a left-handed human figure with a bow, an animal-drawn from the gray line, and a human figure with two behind

 second cave
 
There are many symbols on the wall of the cave. There are several animals figures that stand behind each other, and a number of individual animals


Billewa


John Steele identified this cave in the Mahawilachchiya area in Anuradhapura District in 1910. According to this image, two people in a cave, two lone human figures, an image of a sack, a peacock, and an unidentified symbol are found among these paintings.

Some of these images are painted, for example, the image of the bull is painted white.

Dorawaka


This cave is located in the Dorawaka village of Beligal Korale in the Kegalle District. Discovered by Browning in 1919, the one-hundred-and-150-foot-tall rock features the geometric shapes and animal figures found on the walls. There are about 57 geometric figures and a stylized form of a human figure.

The elephant and the calf is the most common type of painting.

Wetambugala

Located in the village of Kiwule Yaya in the Siyambalanduwa area in Ampara District, this cave is a 40-meter long elephant cave.

All the images are painted in white, gray, yellow and reddish yellow with the same color thicknesses.

Two ivory figures painted in purple and yellow are depicted in detail in an elephant's feet. Among the geometric figures, there is a special way of drawing water. It appears to have been painted with the use of gray dots to symbolize water, with the aim of communicating with wildlife living groups naturally, with fingers and thick wooden planks.

Only the bow and arrow is painted white and the horns of a deer are depicted by a pair of horns.


References

-Sri Lankan art history,Solaman Premananda

-Teachers guide-Education department of Sri lanka


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